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1. Kubrick Lives
The theory of authorship as applied to film directors is a subject that is argued extensively throughout the film world. The auteur theory was first introduced in the French film journal Cahiers du Cinema. Andrew Sarris who suggested that there are a group of filmmakers who fit into this category brought the theory to America. It states that in
2. A Clockwork Orange: Good Riddance To Bad Rubbish
A Clockwork Orange received critical acclaim, made more than thirty million dollars at the box office, and was nominated for various awards; however, this esteemed film was outlawed from the nation of Great Britain in order to curb its immoral content from permeating society. Before all the controversy began, A Clockwork Orange was a novel, writ
3. Stanely Kubrick
The American cinema is rich with powerful and insightful filmmakers whose bodies of work add to the legacy of American filmmaking. But a few filmmakers like Stanley Kubrick and David Lynch, two of the most enlightening and illuminating directors to ever grace the silver screen, not only add to but create entirely new possibilities for the America
4. Clockwork Orange
The picture opens to a close up of an eye with a peculiar long eyelash. The camera fades back onto the face of a young gentlemen, he begins to narrate: "There was me, that is Alex. And my three droogs (friends), that is Pete, Georgy and Dim. And we sat at the karuba milk bar trying to make up our plans for the eveningÂ…" For those of you who do
5. The Shining
is about a white middle class dysfunctional family that suffers from natural and supernatural stresses in an isolated Rocky mountain hotel. .The father, a former teacher turned writer, is portrayed as a habitual drinker, wife- and child-abuser, with a kind of evil streak The mother is shown as a battered woman. The film suggests that due t

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