Art History

...d – at right angles)  2 – feet planted evenly  Asher bonathal = smaller than #2  2 – just smaller than life size  Egyptians not interested in life size  Context of viewing for asher bonathal? For king w/ goddesses?  2 – figures still part of the wall; if carve figures individually  could be broken off in public place  Both have beards – ritual/symbolic beard  2 – crown of upper Egypt  Both completely frontal (typical of figures of authority)  Focus of ritual, not for aesthetic value – bring it offerings, prayers, incantations  Rituals performed everyday for 100s of years  Performance of rituals the same day after day  Maat – cosmic order & harmony  Guarantee kings place in the world  guarantee order, cycles • 2 seated kings  Show angularity  1 carved in wall  2 separated statue  1 – shoulders facing forward (most important features angled out)  Head in profile  Breast in profile  2 left feet – arches angled out  2 left hands • Relief sculpture (raised relief – inside & sunken relief – outside, sun striking it makes it more readable) • Gods produced most flatteringly, carefully, aesthetically pleasing  Seated scribe = Lesser without top clothing, not chair, not adornments, not flattering, no hat, not aesthetically pleasing  Scribe – pwrful, important person • Kafre from Gizeh - King – broad shoulders, large head • ♂ & ♀ figures  ♂ - dark skin  ♀ - fair skin  They’re looking somewhere else… into eternity? Not looking at anything at all. How is that created?  Had to believe it? • Figures put in tombs (Han dynasty figures – same idea)  Learn about lives of daily people thru small figures • Wall painting  When figures in same composition represented on different levels they are actually in different registers  Paintings on walls (Egypt & Minoan)  Fres...

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