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The term is applied to a number of works in drama and prose fiction which have in common the sense that the human condition is essentially and ineradicably absurd, and that this condition can be adequately represented only in works of literature that are themselves absurd. Both the mood and dramaturgy of absurdity were anticipated as early as 1896 in Alfred Jarry's French play Ubu roi (Ubu the King). The literature has its roots also in the movements of expressionism and surrealism, as well as in the fiction, written in the 1920s, of Franz Kafka (The Trial, Metamorphosis). The current movement, however, emerged in France after the horrors of World War II, as a rebellion against essential beliefs and values both of traditional culture and traditional literature. This earlier tradition had included the assumptions that human beings are fairly rational creatures who live in an at least partially-intelligible universe, that they are part of an ordered social structure, and that they may be capable of heroism and dignity even in defeat. After the 1940s, however, there was a widespread tendency, especially prominent in the existential philosophy of men of letters such as Jean-Paul Sartre and Albert Camus, to view a human being as an isolated existent who is cast into an alien universe, to conceive the universe as possessing no inherent truth, value, or meaning, and to represent human life, as it moves from the nothingness whence it came toward the nothingness where it must end, as an existence which is both anguished and absurd.
Approximate Word count = 786
Approximate Pages = 3.1
(250 words per page double spaced)
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