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In Chicago, the guilty walk free and live happily ever after while the innocent are afforded no respect or dignity. ... The director, Rob Marshall, the screen editor Bill Condon and the musical score composer Danny Elfman utilise a plethora of filmic techniques to convey the theme of the movie shown above and to make Chicago the roaring success that it is.
Elfman and Condon combine admirably to deliver the shot composition, the pleonastic and diegetic sounds that run rampant in the film and finally the songs which form the backbone of the musical work that Chicago is. ... This provides the respondent with an insight, albeit a small one, into the life that this enigmatic character leads throughout the initial sections of the film.
Being a musical, Chicago is filled with several instances of pleonastic and diegetic sounds. These mood conveying sounds which are in the environment of the characters are largely composed of songs which are played periodically throughout the film.
Approximate Word count = 738
Approximate Pages = 3
(250 words per page double spaced)
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