|
|
This is only a preview of the paper
Click here to register and get the full text.
Existing members click here to login
|
|
|
The close up of Roy's hand while in the vid-phone booth is actually from the bathroom scene at the Bradbury and the shot of his face is actually from the scene on the bed with Tyrell, but mirrored. When Rachael returns to Deckard after Tyrell will no longer see her, she tries to prove that she is not a replicant because she has a photo with her mother. Deckard reacts as if she has no emotions, treating her like an ‘it’ as he stated to Tyrell. “Those aren’t your memories, they’re somebody else’s.” Scott uses the camera effectively here to show the conflict that is arising within Rachael. The angle is straight-on to Deckard, reiterating that fact that the audience is on the same level of Deckard. Scott then uses a low-angle for Rachael. This places her above the audience and as she is visually disturb and begins to cry, the audience feels a compassion for the pain she is going through.
Approximate Word count = 563
Approximate Pages = 2.3
(250 words per page double spaced)
|
|
|
|
|
|