Le Bourgeois gentilhomme une comedie de m urs Ce que vous apprenez de la soci t
The Comedy the imitation of the mœurs, its object is the correction of the mœurs that it imitates. ... It was a big work of Molière: the role of the Master of Languages in the bourgeois on the manner of pronouncing each letter. ... Here the character isn’t presented as a person guided by chance, but as a victim of his ridicules or vices, he is embarrassed by his own image. The French comedy, divides itself in Noble comical, Bourgeois comical, & low Comical. ... In le Bourgeois Gentilhomme this could be seen in the tailor’s scene when M. ... Being told so M. Jourdain didn’t want the tailor to change them, he wanted to wear them as noble people did. ... Observe that almost all the means of comic, which create the laugh brightness, are taken in the comical Bourgeois; such are the contrast of the gesture with the speech, speech with the action. ... This is the defect of all the kinds, both the loves of a Bourgeois and the miseries of a Marquis can be comic. In this way in le Bourgeois Gentilhomme, the roughness of Nicole sheds a new ridicule on the impertinent pretensions & the forced education of M. ... On top were the nobles, then the clergy and at the bottom were the common people with a higher part of them called the bourgeoisie such as were M. ... As they spent a lot of money on having fun they had a lot of debts and many of them were poor such as Dorante who took money from M.