CURRICULUM VITAE
CURRICULUM VITAE NAME name here DATE OF BIRTH date here PLACE OF BIRTH city, country MARITAL STATUS SINGLE CITIZENSHIP citizenship PASSPORT NO. ZA????????? HOME TELEPHONE NUMBER number here ___________________________________________________________ PERSONAL PROFILE:- Honest, hardworking, all rounder who is able to remain calm under pressure. KEY SKILLS:- * Competence in Microsoft Word and Excel Spreadsheet. * Internet and E-Mailing. * Awareness of confidentiality. CAREER HISTORY:- July ????????????? Peugeot ??????????????????? Student Placement - Stores Department * Assisting storekeeper with stock take * Assisting driver with deliveries ??????????????????????????????????????? INTERESTS:- Music Computers Movies Football References available on request. Down in a paroxysm of regret; that honour is reserved for Fat Ass). Regrettably he doesn't live to learn from his mistake; Shawshank is hard like that. Based upon a short story by Stephen King, The Shawshank Redemption is unlike any other adaptation of his work. Mercifully free of cheap horror and overwrought dialogue, In its heart The Shawshank Redemption is driven by the strength of its performances. Andy, while innocent and overly trusting, this is the key to the strength that sustains him; nothing can crush his optimism. The institutionalised Red ground down by a wasted life. Near enough an organic constituent of the stone walls, there is a hint in his character of loss, regret, bitterness and hopelessness without once admitting to it. The Film In 1987 a filmmaker by the name of Frank Dragon wrote to King and requested an option over the novella. King agreed, having been impressed by Dragon’s 1983 adaptation of his short story The Woman in the Room, and seven years later The Shawshank Redemption was released to an audience that, having been burned by countless B-grade King adaptations was entitled to expect the worst. I know a great many people of varying tastes, and to this day the Edom and hope from the prisoners, although the camera angle shows the audience that the boundaries between the guards and prisoners are still evident. Andy shows no signs of fear when he decides to cross the boundary, even though the other prisoners warn him of the consequences. As the guard holds Andy over edge of building, the camera angle shows the drop that he faces, making the audience nervous, fast movement of the camera is used creating a more intense atmosphere. Once Caption Hadley agrees with Andy's deal, the camera no longer shows the height of the building but instead shows both prisoner and guard as equal. Andy had successfully secured the deal, giving him more hope about his future. The sound effect being used during the rooftop scene is very up beat and has a quick tempo; country and western was used in this scene which reflects the happy mood and atmosphere of the scene. This scene shows a strong feeling of hope within the prisoners because finally they feel free once again. This short encounter with freedom renews the hope that Andy started the film with. Red adds the final touches to the scene by giving the audience more background about the scene. Red explains how he manages to bribe the guards, so that his men could do the job, he uses humour and speaks light heartily which lets the audience relate to the scene. Why didn't Andy take part in the beer drinking? Red explains to us that he got a sense of freedom by just watching the other men drinking knowing that it was he who made the event occur. This was the starting point for Andy's whole sense of hope, from that day he knew whatever goal he had could be reached. We also find...... I've had the great good fortune of being a professional screenwriter (and, more recently, director) for going on ten years now. People often ask me what it's like doing what I do for a living -- a fair enough question, but usually phrased with a tone suggesting that if I don't make it out to be as glamorous and fun as they think it ought to be, they're going to be damn disappointed.