the fall of the house of usher

...till, he cannot lift his sadness. Soon Roderick posits his theory that the house is unhealthy, just as the narrator had supposed at the beginning of the story. Soon, Madeline dies, and Roderick decides to bury her temporarily in the tombs below the house. He wants to do this because he is afraid that the doctors might dig up her body for scientific examination (since her disease was so strange to them). The narrator helps Roderick put the body in the tomb. He notes that she has rosy cheeks, as some do after death. Roderick then confides to the narrator that he and Madeline were twins. Over the next few days, Roderick becomes even more uneasy. Then, one night, the narrator cannot sleep either. Roderick knocks on his door, apparently hysterical. He leads the narrator to the window, from where they can see a bright-looking gas all around the house. The narrator explains the gas away by telling him that it is a natural phenomenon that is not altogether uncommon. The narrator decides to read to Roderick in order to pass the night away. He reads the "Mad Trist" of Sir Launcelot Canning. As he reads, he hears noises that correspond to the descriptions in the book. At first, he ignores these sounds as his imagination. But soon he can no longer ignore the sounds; they have become more distinct. He also notices that Roderick has slumped over in his chair and is muttering to himself. Finally, the narrator goes over to him and listens to what he is saying. Roderick reveals that he has been hearing these sounds for days and believes that he and the narrator buried his sister alive and that she is trying to get out. He yells that she is standing behind the door. The wind blows the door open and confirms Roderick's fears: his sister stands in white robes bloodied from her struggle. She attacks her brother as the life drains from her, and he dies of fear. The narrator flees from the house. As he does, the entire house cracks along the zigzag break in the frame and crumples to the ground. Commentary In "The Fall of the House of Usher," Edgar Allan Poe uses the setting to enhance the plot. In beginning the story with a long description of the house and vicinity, Poe sets the scene for an eerie, diseased, and bleak tale. The setting not only affects his telling of the story but changes the characters and action, too. Both the narrator and Roderick question whether the house and its vicinity are naturally unhealthy. After all, in the nineteenth century, many doctors still believed that a swampy or ancient area of land might make one sick. The setting itself seems to infect the characters. Just as the atmosphere and landscape seem translated into the characters, the house, as another aspect of setting, functions as a symbol for the Usher family. The narrator even mentions at the beginning that "House of Usher" had come to mean both family and home. Therefore, the house itself can be seen as an embodiment of the family. Poe emphasizes this symbolism by personifying the house, giving it the anatomy of humans: "eye-like windows" and clothing: a "veil." Moreover, the house is crumbling just as the family is. The Ushers have no relatives, only themselves, and both are ailing. Finally, after Roderick and Madeline die, the house breaks apart, representing the fate of the family. Family is an important theme in this story. The tale essentially documents the demise of a family name. The Ushers have been an important family: their house is huge, they are well educated, and they have servants. But they have not produced enough offspring to continue their name. Further, Roderick claims that his nervous exh...

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