The Walk in Asian Art Museum
...alize, even in this diverse part of the world, about who I am. The China, Korea, and Japan sections were of no less interest than the others. As a Chinese-Japanese Thai born, symbols and motif are prevalent and usually passed on from parents to son. Not only had it appeared in the sayings, but also in the paintings and calligraphy depicting many different versions of an everlasting paradise. Jade exhibit in China section had literally dazzled me in its variety, particular details and how creative Chinese people had made use of it. I noticed that Korean style had developed by the use of color contrasts and patterns to boot. Meanwhile, Japanese in the old day were very meticulous in their masterpieces especially the “Netsuke” Playful miniature that conveyed the combination of a clear and playful story on a tiny stone. It had become undeniable in North Asia civilizations that brushes and ink were still significant for painting and calligraphy until now. Learning how to look and tell the style difference is very important for many artists. Notice how each piece has developed through centuries, as the technology gradually sneaked into their civilization. However, there are still blacks and whites. Some people tend to use technology in destructive ways as in forging and imitating to earn some money. They should learn to appreciate the already-exist pieces, not those that have been forged because it’s considered Fake. Although, the finished ones may look attractive; they are of no art historical value to anyone, but only serve to confuse the record. One part of the museum has this “Fakes, Copies and Question Marks” on exhibit. I’ve really benefited from this for I learnt how to look and tell...